Fergus Feehily

a beautiful recommendation i received

thank u L

http://images.artnet.com/artwork_images_424926240_304621_fergus-feehily.jpg

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiACrkDIWehmu_O7_eyaeaZVFYolAQDnlkLWYKM8SKbGJ4ZMXDmzvrLYJWWm1eMe2U5XYhRiNp99iCu97hFOrCFUybq-rnB05DfGjeLopdaN8iWr78H0LMbg3j9XpgaBJ0Sl35dPR59Zwk/s1600/_MG_3138.jpg

http://images.artnet.com/artwork_images_424926240_304623_fergus-feehily.jpg

http://myriambmaguire.com/blog/wp-content/uploads/2010/11/Fergus-Feehily.jpg

http://images.artnet.com/artwork_images/424926240/623969.jpg

http://www.fergusfeehily.com/

Pierrette Bloch Retrospective at Galerie Karsten Greve, Paris

Last week, the Karsten Greve Gallery in Paris opened an exhibition of the work of the French artist Pierrette Bloch. Pierrette Bloch is considered as one of the most renowned French Post-War Abstract artists. The solo show presents different stages of the artist’s work in the form of a retrospective starting with works done in the 1950′s and continung up until the present day.

Pierrette Bloch’s work is characterized by the use of poor materials and reduced motifs. She works with collages, ink on paper, hardboard, rope and horsehair. Her favorite forms of reference are dots, lines and hyphens.

After working with thick textured oil paint, in 1952 Pierrette Bloch began working with collages. Since 1971 she has also been working with China ink on paper. In 1973 she produced her first large hair mesh while continuing ink drawings with dots on paper. Around 1984 Pierrette Bloch began working with horsehair sculpture.

Pierrette Bloch’s work belongs to numerous private and public collections such as the Museum of Modern Art, New York; the Musée National d’Art Moderne, Centre Georges Pompidou, Paris; and the Stedelijk Museum, Amsterdam.

Pierrette Bloch at Galerie Karsten Greve, Paris. Opening reception, January 8, 2011.

http://www.artnet.de/Galleries/Exhibitions.asp?gid=480

frank badur

http://www.frankbadur.de/arbeiten/

http://www.fruehsorge.com/galerie/index.php?option=com_content&task=view&id=15&Itemid=44

Letter from BERLIN: FRANK BADUR, Why Pattern?

by David Rhodes

Fruehsorge Contemporary Drawings, Berlin
October 31, 2009 – January 8, 2010

Frank Badur has been part of the Berlin scene from the time he studied here, between 1963 and 1969. He became a professor at the University of Art in 1985, and, like many other German artists who maintain successful international careers, he has continued to teach. This has resulted in a certain continuity in German art, which makes it less subject to the vagaries of fashion that affect places like London so damagingly. His influence on many younger artists, such as Tim Stapel, Rebecca Michaelis, and Katinka Pilscheur, who are sustaining an interest in abstraction, is becoming more evident. At fruehsorge contemporary drawings, a gallery dedicated exclusively to drawing, Frank Badur is exhibiting two groups of works on paper; concurrently, he is presenting new paintings at Hammish Morrison Galerie and an edition of prints at Galerie Jordan Seydoux, both also in Berlin.

read more